Ko te manu e kai ana i te miro, nōna te ngahere
Ko te manu e kai ana i te mātauranga, nōna te Ao
The bird who feeds on miro has the forest
The bird who feeds on knowledge has the world
Nau mai, haere mai ki Tāmaki Herenga Waka.
Ka nui te mihi ki a Ngāti Whātua Ōrākei te iwi mana whenua.
Tihei Mauri Ora!
AHI Mission Statement
Tāmaki Makaurau Auckland is situated amongst many volcanoes on an isthmus that is flanked by the Manukau and Waitematā harbours. The cones punctuate the skyline and the ocean is never far from view. These iconic features of the whenua have not only shaped the landscape but also the many peoples who have settled in this unique environment over centuries.
Welcome to the Auckland History Initiative. This research collaboration focuses on understanding the physical and cultural development of Tāmaki Makaurau Auckland as well as the wider Auckland region extending from Northland to the Waikato, and Auckland’s connections with international and global networks of trade, governance and culture.
In order to advance that understanding the AHI takes several approaches. These include:
- To increase students’ engagement with Auckland history, to stimulate their interest in and knowledge of their immediate surroundings and to enhance their employability
- To build relationships between the University of Auckland and Auckland’s Iwi and GLAM sector (Galleries, Libraries, Archives and Museums)
- To continue to establish relationships and research collaborations in the area of Tāmaki Makaurau Auckland history across disciplines and faculties at the University of Auckland
- To enhance public outreach by hosting public events focused on inviting discussion on the history of Tāmaki Makaurau Auckland
- To promote and support research into Tāmaki Makaurau Auckland history through an online platform and associated social media.
Ben Schrader presenting at the 2019 AHI Symposium.
Dr Ben Schrader: A Tribute
It was with great sadness that all of us at the AHI heard of the passing of Dr Ben Schrader on 19 April 2024.
Ben Schrader, who was only 59 years old, was New Zealand’s foremost urban historian and an unfailing supporter of the Auckland History Initiative.
Click to read more…
In his formative award-winning 2016 book, The Big Smoke, New Zealand Cities 1840-1920, Ben had noted that ‘more substantial city biographies are needed, particularly of Auckland’ (p.18).
It was not surprising then that, the following year, 2017, when a group in the University of Auckland History Department was arranging to meet to consider how to develop Auckland history, I received an email from Ben. He wrote that, at a recent meeting, Professor Raewyn Dalziel had alerted him to this: ‘She asked me whether this is the right moment for it to proceed and I made the case that it was.’ Ben went on to explain:
Every time I come up to Auckland it strikes me that this is the place where Aotearoa/NZ’s future is being made. This relates not only to the diverse composition of its peoples (or super diversity to use the buzz phrase), but also the myriad ways the city is changing to accommodate them: in terms of housing, transport, energy, economic and social relations, cultural production and so on. So naturally as an historian I look for the stories that help to explain how the past informs the present. While the city has some very good suburban histories there is nothing that relates a wider story – apart from Graham Bush’s civic histories of some time ago. I feel this is a real lack that should be addressed…. So the long and short of it is that I do think the moment is right to progress the Auckland history project idea and I hope it gets legs. As I said last week I’d be happy to provide input in some capacity if that would be helpful. (Email Schrader to Bryder, 8 December 2017)
The following year we invited Ben to be a keynote speaker at a two-day symposium planned for 15-16 April 2019, to which I got the usual enthusiastic response: ‘This sounds fabulous. I’d love to come and present.’ (Email Schrader to Bryder, 20 June 2018). The talk Ben chose to give at the symposium was: ‘Government House: the first ‘Auckland’ Building?’
The very same day the symposium ended, I received the following email from Ben:
Hi Linda,
Thanks for this. It was an honour to be invited to attend and be part of this terrific symposium. I’m still buzzing from the day.
I sometimes a feel bit lonely in my urban history pursuits in NZ so it was wonderful to see more people becoming engaged with the field and undertaking fascinating new areas of enquiry. I only wish I lived in Auckland and could be more closely involved.
I would really appreciate being kept in the loop and I hope you and others can continue to persuade the university what an important initiative it is. (Email Schrader to Bryder, 16 April 2019).
We also invited Ben to contribute an article for our website, which he did willingly and promptly. The article, posted on 1 October 2019, was headed, ‘Heritage is NOT history – or is it?’ This is an important discussion for historians to engage in. Ben himself was beginning to focus in his own studies on the history of urban conservation in New Zealand. In November 2022 he was a keynote speaker here at the University of Auckland at a joint conference of the Society of Architectural Historians, Australia and New Zealand and the Australasian Urban History/Planning History Group. His talk was: ‘Fabricating Identities: A Short History of Historic Preservation in Aotearoa New Zealand, 1890-1990’. In 2023 he was engaged in writing a history of historic preservation in Aotearoa New Zealand along with a fellow historian working in historical heritage and conservation Michael Kelly. Ben’s passing is a sad loss to history, heritage and conservation studies. Here at the AHI we hope to honour his memory and inspiration, and are considering ways of doing this.
Linda Bryder
9 May 2024
Read our AHI Summer Scholars work below
Chasing the Dragon: Hubris, the folly of man.
By Peter Wallace*
Amateur theatre satisfies a niche that professional theatre cannot occupy. Raw deliveries and modest budgets emphasise the discrepancy between actor and character, who present more one and the same in professional performances. Preventing that abstraction succeeds in communicating the personality of a production, particularly the risks and anxieties that high-end stage shows distract from.
Unstable Ground: Migrant Producers, Selling, and Discrimination in Auckland 1890-1920s
by Emily O’Callaghan*
Beginning a narrative part way through makes for a confusing story. Yet, recollections of Auckland’s horticultural histories often do exactly that. Prioritising the quaint Victorian garden and divorcing horticultural practice from other intersecting histories of war, of survival, and of immigration, has made for an incomplete retelling.
Auckland’s Women Artists: 1928-1940
by Katryn Baker*
The positionality of women artists in the Tāmaki Makaurau Auckland art scene from just over a century ago is complex. By the close of the 1920s, women were certainly not excluded from published literature nor from exhibition spaces. However, the trend of the twentieth century tended toward situating men such as John Weeks or Colin McCahon, to be the drivers of art history in Auckland, often at the expense of marginalising the influence of women artists.